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Museum of Modern Art Renovation(現代藝術翻新博物館)--Diller Scofidio + Renfro

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設計師:Diller Scofidio + Renfro 設計公司:Diller Scofidio + Renfro

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建筑師:Diller Scofidio Renfro

面積:708000.0 ft2

年份:2019

地址:11 W 53rd St, New York, NY 10019, United States

攝影師:Brett Beyer, Iwan Baan,Director, Real Estate Expansion, Mo Ma: Jean Savitsky

Construction Manager: Turner Construction Company

Retail Consultant: Lumsden Design

照明設計師:Tillotson Design Associates (public spaces), Renfro Design Group (gallery spaces)

Mep / Fp / It:Jaros Baum&Bolles(JB&B)

結構性:Severud Associates

外墻:Heintges Consulting Architects&Engineers P.C.

可持續發展:Atelier Ten

安全性:DVS Security

聲音/視聽:Cerami Associates

垂直運輸:Van Deusen Associates(VDA)

劇院規劃與設計:Fisher Dachs Associates(FDA)

劇院視聽:Boyce Nemec Designs

防水:Vidaris

餐飲服務:Cini-Little International,Inc

標牌/尋路:Gensler / Wkshps

鋼結構制造商-葉片樓梯:Dante Tisi, DAMTSA

鋼結構制造商—零售樓梯,柜臺:M Cohen

鋼鐵制造商-機蓋:德國Frener Reifer

木制品:MillerBlaker

負責建筑師:Diller Scofidio Renfro in collaboration with Gensler

Text description provided by the architects. The Museum of Modern Art has completed a renovation and expansion designed by Diller Scofidio Renfro, in collaboration with Gensler, which has increased gallery space by 30%, provides visitors with a more welcoming and comfortable experience, and better connects the Museum to the urban fabric of midtown Manhattan.

The overall expansion yields a net increase in MoMA’s gallery space of one third, to approximately 165,000 square feet, allowing the Museum to exhibit significantly more art in new and interdisciplinary ways. The design optimized current spaces to be more flexible and technologically sophisticated, expanded and opened up the main lobby into a light-filled, double-height space that connects seamlessly between West 53rd and 54th Streets, and created a multitude of circulation routes with more areas for visitors to pause and reflect. The state-of-the-art Studio in the heart of the Museum and an innovative second-floor Creativity Lab invite visitors to connect with art that explores new ideas about the present, past, and future. The flagship Museum store has been lowered one level and made visible to the street through a dramatic glass wall and a new sixth-floor café includes an outdoor terrace facing 53rd Street. The clear glass fa?ade, new street-level galleries, and a ground floor free and open to all offer increased transparency and bring art closer to people on the streets of midtown Manhattan.

The architectural expression is a restrained conversation between the existing palette and new materials within The Museum of Modern Art. The design taps into the historic DNA of the building, relating disparate elements through a series of strategic interventions that reflect aspects of twentieth-century modernism: purity of material expression, the abstraction of space, and thinness. Synthesis is achieved with a minimalist use of materials which correlates with the existing building fabric.

A new custom entry canopy welcomes visitors into a double-height space from 53rd street with an uninterrupted view between 53rd and 54th street, liberated by reconfiguring ticketing and coat check off this central axis. This primary entrance is complemented by a secondary entrance in the east lobby, which features a dedicated film desk and reception and coat check for members. Visitors can access the retail store and ground-level galleries through two entrances in the west lobby. The open lobby is equipped to host installations of art, on a ground floor free and open to all.

The 5,950 square foot flagship Museum store is located at the Cellar Level, open to the Lobby above. This allows the reconfigured lobby to be visually connected to the street. Clear street-level glazing allows views into the store from the exterior sidewalk above. The lowered elevation provides a high degree of visibility without interfering with the lobby and art spaces beyond. Museum visitors can look down into the store from the Night Entry, West Connector Lounge, and Blade Stair in passing. There is a dedicated street entrance, bridge, glass elevator and stair enabling shoppers to bypass museum patrons if desired.

The 3,900 square foot street-level galleries, including the dedicated Projects Gallery, are free and open to all on the expanded ground floor. The double-height Projects Gallery (26’- 6”) is responsive to variable media and scale, integrating roll-up shades for projections and blackout shades to enable variable lighting control for projections. The custom-designed LED light fixtures can be reconfigured within the light track system. They provide an even wall-wash of light, ideally suited for mixed-media installations.

The 53rd Street entrance canopy is a thin 42’ plane weighing 95,500 pounds, which appears to slice through the glass facade and float above the main entrance doors. The canopy is comprised of steel plates and concealed ribs, suspended on steel rods. The canopy cantilevers 26’ beyond the facade of the building, out to the sidewalk to mark the main entry point for visitors.

The 53rd Street fa?ade is conscious of the Museum’s architectural history in the existing Goodwin and Stone, Johnson, and Taniguchi buildings but shaped by the new demands of its adjoining spaces behind. The Studio and the Daylight Gallery share a frameless suspended glass wall with a black dot frit outer surface to delicately modulate daylight and reflection. The Studio features an additional interior glass wall with metal mesh interlayer, as the inner wall of the box-in-box, acoustically isolated construction 3’ behind to control outside sound migration and further filter daylight and view. The fa?ade of the public spaces – the lobby, the suspended blade stair, the Street Level Gallery and the retail space below – employ frameless glass panels that are structurally clamped to function as glass beams both vertically and horizontally to maximize visibility from the street to activities inside the museum. Four of the Street Level Gallery fa?ade panels can open up to the sidewalk to facilitate loading and unloading work to the Projects Room Gallery.

建筑師提供的文字描述。 現代藝術博物館已經完成了由Diller Scofidio Renfro與Gensler合作設計的翻新和擴建工程,該畫廊的展廳面積增加了30%,為游客提供了更加溫馨舒適的體驗,并更好地將博物館與城市相連 曼哈頓中城的面料。

整體擴張使MoMA的畫廊面積凈增加了三分之一,達到約165,000平方英尺,從而使博物館能夠以新的跨學科方式展示更多的藝術品。該設計優化了當前空間,使其更加靈活和技術精湛,將主大廳擴展并開放為一個輕巧的雙層高空間,該空間可以無縫地連接西第53街和第54街之間,并創建了更多面積更大的流通路線供訪客暫停和反思。位于博物館中心的先進工作室和創新的二樓創意實驗室邀請參觀者與藝術聯系,探索有關現在,過去和未來的新想法。博物館的旗艦店已經被降低了一層,并通過一面引人注目的玻璃墻在街上可見,新的六樓咖啡廳包括面向53街的戶外露臺。透明的玻璃幕墻,新的街頭美術館以及免費開放給所有人的底樓提高了透明度,并使藝術品更接近曼哈頓中城街道上的人們。

建筑表達是現代藝術博物館中現有調色板與新材料之間的對話。 該設計利用了建筑物的歷史DNA,通過一系列反映二十世紀現代主義的戰略干預措施,將不同的元素聯系在一起:材料表達的純凈,空間的抽象和薄弱。 通過使用與現有建筑織物相關的材料的最低限度使用來實現合成。

一個新的定制入口遮篷歡迎游客進入第53街的雙重高度空間,在第53街和第54街之間享有不間斷的視野,通過重新配置票務和在該中心軸上穿上大衣來解放游客。 這個主要入口由東大堂的次要入口補充,該入口設有專用的電影臺和接待處,并為成員提供大衣檢查。 訪客可以通過西大堂的兩個入口進入零售商店和地下畫廊。 開放式大廳的設備可在一樓免費開放并向所有人開放。

占地5,950平方英尺的博物館旗艦店位于地窖層,向上方的大堂開放。 這允許重新配置的大廳在視覺上連接到街道。 清晰的街道玻璃窗可以從上方的外部人行道進入商店。 降低的高度提供了較高的可見度,而不會干擾大堂和其他藝術空間。 博物館參觀者可以從夜入口,西連接休息室和劍道樓梯向下看商店。 有專用的街道入口,橋梁,玻璃電梯和樓梯,可讓購物者在需要時繞過博物館的顧客。

占地3900平方英尺的街道級畫廊,包括專用的Projects Gallery,是免費的,并在擴展的底樓向所有人開放。 高度為兩倍的Projects Gallery(26'-6”)可響應可變的媒體和比例,集成了用于投影的卷簾和遮光簾,以實現對投影的可變照明控制。 定制設計的LED燈具可以在光軌系統內重新配置。 它們提供均勻的洗墻光,非常適合混合媒體安裝。

第53街入口的頂篷是一薄層42英寸的飛機,重95,500磅,看上去像是切穿玻璃幕墻,然后飄浮在大門的正上方。 頂篷由鋼板和隱藏的肋骨組成,懸掛在鋼棒上。 頂棚懸臂26'超出建筑物外墻,一直延伸到人行道上,以標記訪客的主要入口。

第53街立面意識到了現存的古德溫(Goodwin)和史東(Stone),約翰遜(Johnson)和谷口(Taniguchi)建筑中博物館的建筑歷史,但其背后相鄰空間的新要求對其形成了影響。攝影棚和日光畫廊使用無框懸掛式玻璃墻和黑點玻璃料外表面,以精細地調節日光和反射。錄音室的另一面是玻璃內墻,中間是金屬網眼夾層,是盒子中的內壁,后面是3英寸的隔音結構,可控制外界聲音的傳播并進一步過濾日光和視野。公共空間的立面(大廳,吊扇式樓梯,街邊廊和下方的零售空間)采用無框玻璃板,結構上被夾緊,可垂直和水平地用作玻璃梁,以最大化從街道到活動的可見度在博物館里面。可以在人行道上打開四個Street Level Gallery立面面板,以方便在Projects Room Gallery中進行裝卸工作。 


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